as though the night
were a shrill winged choir of crickets,
or a luminous flight of embers,
or the slow alchemy of phosphorus
glimpsed beyond the veil of my window
on this dark of the new moon
as though it were stars singing
in the silence
as though silence itself
were roaring—
as though
it were a howling crater of glass
or a chalice shattering in the distance
as though all distances
were humming
as though all humming
were the whole of things—
as though
what remained was love
and love an endless night:
humming
silent
humming—
There, where all sound
is devastating,
where even my own voice
needs to be kept
at a distance—
for the fear,
for the sharp ache,
for the longing
dressed as fear—
and so I stay,
within the hum,
within the dark
that sings me.
I listen
into the space
between each
particle
of sound.
—Lorena Wolfman (2019, 2025)
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